mardi 5 janvier 2016

Turkish music



Not Turkish music, in addition to singing and throats, wierd ear Arabic for two main reasons in kinship and history: first, because of their geographical origin altorani from Central Asia, and secondly, the common culture with elements of religious, historical and social.

And we know that common cultural boat between Turkish and Arabic music, and if progress on the Turkish Arabic since the mid 1970s novelty with big names such as Zeki Muren, Orhan gngbi China hope as well as older composers such as: Ismail m. Shaheen, safety Khalil kardoman.

The music school has Turkish evolution and classification of educational institutions and heritage schools singing and melodic trends and colors sing and templates, styles and playing as well as the development of a culture of a listener through the Turkish resolve forms of singing and musical schooling and culture representing the identity and Turkish culture.

This is not only through the great Renaissance by Kemal Ataturk in the end continued time in line and the emergence of the Ottoman State concept and the theory of the new Nations country in national history, culture and race, although cross-cultural communication exist in many fields and areas, the chapter was on the political side as well as the Arabic States.

We must know the relationship between music and Arabic civilisation centres of Istanbul during the Ottoman centuries in the Arab world were able to digest all kinds of music if the Turkish music music service beyond Mesopotamia as Iranian music, Balkan and Armenian and Kurdish, they started from the same school altoranih assets such as Kurdish and Armenian music and then she tasted in Byzantine music, Arabic, but formed an independent personality and was able to save itself in the selectors handed music and performance techniques and methods for playing related profile Turkish nationalism.

Their music has influenced many Turkish musicians like Arabs: Iraq Osman Musli Mohiuddin Haider also in Egypt Mahmoud subeh, Muhamad, in Tunisia there were affected. In the wave of developments in technology and machinery for new musicians eyes went during the middle of the twentieth century in European and American singing school, but returned to the East, and go to the other is trying to discover for oneself over the angle of psychological and behavioural, social and historical.

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