Not
Turkish music, in addition to singing and throats, wierd ear Arabic for
two main reasons in kinship and history: first, because of their
geographical origin altorani from Central Asia, and secondly, the common
culture with elements of religious, historical and social.
And
we know that common cultural boat between Turkish and Arabic music, and
if progress on the Turkish Arabic since the mid 1970s novelty with big
names such as Zeki Muren, Orhan gngbi China hope as well as older
composers such as: Ismail m. Shaheen, safety Khalil kardoman.
The
music school has Turkish evolution and classification of educational
institutions and heritage schools singing and melodic trends and colors
sing and templates, styles and playing as well as the development of a
culture of a listener through the Turkish resolve forms of singing and
musical schooling and culture representing the identity and Turkish
culture.
This
is not only through the great Renaissance by Kemal Ataturk in the end
continued time in line and the emergence of the Ottoman State concept
and the theory of the new Nations country in national history, culture
and race, although cross-cultural communication exist in many fields and
areas, the chapter was on the political side as well as the Arabic
States.
We
must know the relationship between music and Arabic civilisation
centres of Istanbul during the Ottoman centuries in the Arab world were
able to digest all kinds of music if the Turkish music music service
beyond Mesopotamia as Iranian music, Balkan and Armenian and Kurdish,
they started from the same school altoranih assets such as Kurdish and
Armenian music and then she tasted in Byzantine music, Arabic, but
formed an independent personality and was able to save itself in the
selectors handed music and performance techniques and methods for
playing related profile Turkish nationalism.
Their
music has influenced many Turkish musicians like Arabs: Iraq Osman
Musli Mohiuddin Haider also in Egypt Mahmoud subeh, Muhamad, in Tunisia
there were affected. In the wave of developments in technology and
machinery for new musicians eyes went during the middle of the twentieth
century in European and American singing school, but returned to the
East, and go to the other is trying to discover for oneself over the
angle of psychological and behavioural, social and historical.
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